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Issue Date: PCB - January/February 2010, Posted On: 2/17/2010

Presentation is Everything


By Caroline Rath

   
In many ways, the manner in which a confection is dressed may determine its long-term success.  And just like fashion, candy wrappers and packaging have trends that reflect consumer tastes in both looks and philosophy.

 

 

 

 

 

Wrappers are key— a fact borne out by looking at how much research and development is invested when putting together a product launch in an already crowded confectionery category. Depending on the size of the company (and its budget), the amount of time and financial support that goes into designing and test-marketing new packaging can vary widely—anywhere from “as little as $3,000 to as much as six-figures, plus (if you figure in ad budget),” says Yael Miller, senior editor at design blog TheDieline.com and principal at Miller Creative. “Timelines can range anywhere from six weeks to two years,” she adds.

 

This is because “[t]he wrapper lives at ‘the moment of truth’,” according to Miller. Right on the precipice of point-of-sale purchase, a product’s packaging may stand out like a beacon of comfortable familiarity or alienate a potential buyer for any of myriad aesthetic and emotional (sometimes even irrational) reasons.

 

Flashback/Flashforward

Trends in candy packaging can move slowly. While new brands must start from scratch to create a strong brand identity, tried-and-true classics do their best to stick to what works. For a few brands, everything about their wrappers—from colors to fonts and even packaging materials—has remained virtually unchanged since they hit the market decades ago.

 

“Back in the ’30s, candy bars were typically foiled and then covered with paper wrappers made from ‘glassine,’ a smooth paper that was air and water resistant,” explains Beth Kimmerle, expert candy historian and author of four books documenting the history of America’s confectionery industry. Now, “[v]ery few bars use two-part foil/paper wrappers; most use plastic or film. Junior Mints, Dots, Hot Tamales, and Mike and Ike—those candies in paper boxes—are some brands that are probably packaged much like they were when they were launched.”

 

So, if overall look and materials remain similar, what elements of wrappers and packaging have changed as of late? Look and utility are front-of-mind for packaging designers, as well as public mood. Even some of the most iconic candies have received recent face lifts to modernize their look.

 

Luxe Look for Less

Many big-box retailers have increased their affordable luxury quotient in recent years, opening up an all-new “bargain luxe” demographic. For example, Target regularly pairs with high-end fashion designers such as Alexander McQueen and Anna Sui.

 

How does haute couture tie in with candy trends? The same label-conscious, fashion-savvy customers that delight in designer duds in the women’s section also bring this newly luxe-focused eye to their candy purchases just a few aisles over. Color-blocked packaging, upscale fonts, and posh touches (such as a grosgrain ribbon) might be utilized to communicate the message.

 

Interestingly, this trend has also gathered steam with the economic downturn; consumers on a budget have turned to lower-priced options that still look as elegant as their more elite counterparts.

 

Flipping for Flip-Top

Another notable trend is in shifting functionality for packaging, as Beth Kimmerle explains: “The trend toward flip-top tubs for gum is brilliant because it takes that item out of a pocket or purse and onto a desk, shelf, or in the pantry, thereby repositioning the use of the product through packaging.”

 

Kimmerle also notes that Pez dispensers were originally designed to be flipped with the thumb to mimic popular Bic lighters. Pez peppermint candy was initially launched to appeal to smokers.

 

Callard & Bowser utilized a metal flip-top tin when it debuted Altoids gum. Many checkout counter favorites (such as Wrigley’s Doublemint, Juicy Fruit, and Big Red brands) have adopted a sleek, flat paper flip-top “Slim Pack” design. Ferrero’s Tic Tacs have always had an interesting flip top, but its Tic Tac Chill brand has double access—a sliding door opening on the front of the package in addition to a flip top.

 

Modern Makeover

With branding so key in this market, are there any recent shifts in the familiar facade of time-honored favorites? Absolutely. But extreme care must be exercised in such an endeavor—over-thinking a brand revamp can cause loyal customers to revolt.

 

“Consumers care deeply about the brands they know and love,” says Miller. “If you change too much, you can get a backlash (think Tropicana and Pepsi). But on the other hand,” she continues, “you need to stay fresh and relevant or risk losing market share. You need to innovate, yet stay true to your brand.”

 

“A few years ago, Reese’s updated its look, as well as Hershey’s,” Miller points out. “They also switched to FF/S (form-fill-seal) packaging, and away from foil overwraps.” Were the makeovers a success, in Miller’s opinion? “It was a good time to refresh the brand, but most of the equity was retained,” she decides. “Most classic brands know it’s best to keep their core brand equity intact. A skilled branding/packaging agency will know how to ‘wake up’ a dated-looking brand without cutting into the core brand identity. Consumers need to recognize their familiar brands when they see them.”

 

According to Greg Feinberg, president of Aisle 9, a full-service branding and packaging company based in Los Angeles, when determining a brand and packaging strategy, there are two avenues for success. “The first is to re-create the nostalgic feeling of the past and of simple, old-school pleasures. Packaging must reflect comfort, familiarity and value. The other opportunity is to build brands that offer a small indulgence. For these products, packaging must reflect quality, decadence, and tranquility.”

 

In either situation, Feinberg says the brand must offer value. “Whether through price, quality, or the experiential sensation the product creates.”

 

Buyers Guide

Retail candy buyers potentially have a more active part to play in shaping candy bar and confectionary packaging trends. Miller says that the discerning eye of the buyer can influence companies to change their packaging for the better—if the buyer will only speak up.

“Retailers who realize the value of well-designed and effective packaging should voice their opinions to products companies that want them to carry their brand (but may have sub-par packaging),” Miller insists. “Candy brands need to hear from store buyers that they do indeed care about the details and appearance of their product packaging. Working together, it’s a win-win situation.”


Before and After

Darlene Lacey, founder of CandyWrapperMuseum.com has been an avid candy wrapper collector since she was a teen growing up in California in the 1970s. Wrappers from her “Golden Oldies” collection compared to modern-day versions illustrate both significant design deviation and slight tweaks (such as a manufacturer’s name), proving that sometimes what’s old is new again—even when a brand changes hands.

 

Circa: 1938

 

 

Circa: 2009

 

 

 

Circa: 1953

 

 

Circa: 2009

 

Circa: 1975

 

 

Circa: 2009

 

 

Circa: 1975

 

 

 

Circa: 2009

 

 

 

Circa: 1931

 

 

Circa: 1975

 

 

Circa: 2009

 

 

Circa: 1975

 

 

 

Circa: 1985

 

 

Circa: 2009 

 

 


 

Five Packaging Trends to Watch in 2010.

 

 

Color Coordinated. “Orbit gum does a great job at new cool colors to signify new flavors. They did not stop at one or two, they created a whole sub-category for unique Orbit flavors,” says Beth Kimmerle, expert candy historian. Cadbury recently commissioned English pop artist Peter Blake to make artwork out of Green & Black’s new color-dominant packaging.

 

Luxe Approach. Candy that looks like a million bucks appeals to budget-conscious buyers with high-end taste. A good example is Mars’ sophisticated M&M’s Premiums packaging. Mars partnered with designer Pamella Roland and actress Eva Longoria Parker at the Bryant Park fashion shows in 2008 to launch the iridescent line.

 

Eco-friendly Packaging. “Packaging that is sustainable, biodegradable, and that has an alternate use is on the rise,” Kimmerle notes. Endangered Species Chocolate’s wrappers are printed on recycled paper and use water-based ink. At the company’s website, ChocolateBar.com, there are tips for how to reuse the company’s Styrofoam insulation, packing peanuts, and gel packs.

 

Refresher Course. Brand revamps toe the line between updating a classic and alienating loyal brand fans. Visit CandyWrapperMuseum.com for a comprehensive collection of classic designs.

 

Foodie Friendly. “As consumers are looking for more unique, small-batch, ‘real’ foods, I think companies with original packaging may have more opportunities,” Kimmerle points out. Small-batch Askinosie Chocolate bars are a perfect example.

 

 

 


 

 

 

 

Historic Value

Beth Kimmerle, candy expert, historian, and author of Candy: The Sweet History; Chocolate: The Sweet History; and Sweet Times: 100 Years of Making Confections, chronicles the history of the confectionery industry in the United States. Along with interesting historical facts and manufacturer profiles, her publications are good fodder for advertising and packaging ideas.

 

 


 

 

Case Study: South-of-the-Border Design

Oakland, CA-based packaging design firm, Perspective: Branding, recently helped Sonrics (a $200 million Mexican candy company owned by PepsiCo) relaunch its highest-selling and strongest candy brand, “Rockaleta,” to Mexican markets with all-new packaging.

 

The alternating chili- and mango-layered candy now has edgier packaging to match the sweet and sour “psychotic” experience of the product. According to the design firm, candy and confections are considered part of a daily ritual for many Mexican children and teenagers, where a trip to the local bodegas typically involve small treat (peso snacks) purchases.  According to Perspective: Branding’s co-founder and chief strategy officer, Cal Walters, many of these treats use lower-quality cartoon figures and overpowering color as the brand’s identity. Sonrics approached Perspective: Branding to come in with a fresh eye and create a visible and memorable brand that could stand out in a sea of color.

 

“We were also looking at the Mexican youth market versus an American one, so we spent a good deal of time understanding what appeals to younger generations there,” says Walters. “It feels a little bit like the independent movement that America went through in the 1960s.”

The sweet and sour flavor of the candy also dictated packaging design. “It’s quite an interruptive flavor profile, so that’s what we’ve done with the packaging. It stops you in your tracks,” says Simon Thorneycroft, Perspective: Branding’s co-founder and chief creative officer. Both Thorneycroft and Walters note that instead of creating a new color for every SKU in the line, they kept it all one color to dominate presence in the tiny bodegas where every centimeter counts.

 

 

 


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